Costume in the Han Dynasty

The costume of the Western Han Dynasty (206BC-8AD) followed the one established in the Qin Dynasty (221-206 BC). In the Eastern Han Dynasty, people in black had to wear purple silk(丝绸 sīchóu) adornments to match their clothes. Ordinary people usually wore costume with a long hat at grand ceremonies offering sacrifices to gods or ancestors. The dress of the queen in these ceremonies consisted of dark-purple frock and black trousers.

There were specific stipulations on colors of court garments(服装 fúzhuāng) in the Han Dynasty. Officers must wear garments according to the five time periods, i.e. cyan garments in the spring, red in the first two months of the summer, yellow in the last month of the summer, white in the autumn and black in the winter.

Female laborers of the Han Dynasty always wore short jackets and long skirts, and their knees were always decorated with long hanging waistbands(腰带 yāodài). Male laborers often wore jackets and calf-nose trousers with aprons around the garments. Farmers, workers, businessmen and scholars were all in the same dressing style at that time.

Costume in the Tang Dynasty

Costume in the Tang Dynasty(唐朝 Tángcháo) Thanks to the unified and prosperous Tang Dynasty, costume in the Tang Dynasty plays a very essential role in Chinese history of clothing. The dresses of the Tang Dynasty were mainly made of silk, so they were famous for softness and lightness. The dresses of the Tang Dynasty boldly adopted the features of foreign garments in terms of forms and adornments; i.e. they mainly referred to the garments of other countries (such as the Central-Asia countries, India, Iran, Persia, northern countries and the Western Regions) and used them to improve the habilatory culture of the Tang Dynasty.

One of important features of costume in Tang Dynasty is how women's dress and personal adornments of the Tang Dynasty were outstanding in entire China's history. The clothing materials were exquisite, the structure was natural, graceful and elegant, and adornments were splendid. Though the forms of garments were still the continuation of the Han Dynasty (206BC-220AD) and the Sui Dynasty (581-618), they were influenced by cultures and arts of the Western Regions. The trades and cultural exchanges with Korea(韩国 Hánguó), Vietnam, Japan, Persia and other countries gradually became frequent, and they mutually dispatched emissaries and accepted students of other countries. In this way, a special open and romantic style of dress and personal adornments for women was formed.

Because of communication with the Western Regions, the influence of dressing culture of other minorities(少数民族 shǎoshù mínzú) on the Tang court also reflected the change of thoughts and concepts. Chinese women were seriously restricted by the old Confucian or feudal ethical code before Tang Dynasty. The social status of ancient women was very low. They often served as Jileren (music performer), Guanji (official performer), Gongji (palace performer) and Jiaji (family performer) who were regarded as the playthings and goods that can be sold and bought by rich people for their will. Some females had rebel spirit in the Tang Dynasty, so they climbed or jumped over the walls and went to the nature to view the beautiful sightseeing in the spring by riding horses with men. Just as recorded by many historical materials, some girls therefore dressed as boys in order to go out.

The garments in the Tang Dynasty also greatly affected the garments of neighboring countries. For instance, Japanese kimono(和服 héfú) adopted the elites of the dresses of the Tang Dynasty in terms of colors and the Hanbok (traditional Korean clothing) also adopted the advantages of the dresses of the Tang Dynasty.